[FINISHED] VII Jornadas de Música de Cine

The Centro Superior KATARINA GURSKA, is going to carry out the VII Edición de las Jornadas de Música de Cine that will take place next Saturday, March 18th, in the Auditorium of the CSKG.

This conference will feature presentations by Olivier Arson (Goya 2023 for best original music for As Bestas and Ivan Palomares (nominated for the Goya 2023 for best original music for Las niñas de cristal).

Each of them will talk about their experience of music on the film stage. The conference will serve as a platform for young composers to learn more about the speciality from prestigious professionals in the field. After the lectures, students will be able to ask questions at a round table.

Carlos Duque, Director of the Master’s Degree in Audiovisual Composition at the CSKG will present and moderate the event.

Carlos Duque, Director of the Master’s Degree in Audiovisual Composition at the CSKG will present and moderate the event.

Attendance is free of charge. However, prior registration is required by sending an email to: centrosuperior@katarinagurska.com (limited places).


10:00 – 11:30 – Olivier Arson

11:30 – 11:45 – BREAK

11:45 – 13:15 – Ivan Palomares

13:15 – 13:30 – BREAK

13:30 – 14:00 – Mesa Redonda


Olivier Arson (Paris, 1979) is a French composer and producer. He composes cinematically powerful electronic music with influences ranging from ambient pioneers to electro-acoustic and industrial music.

In 2009, he founded the avant-garde label E/C where he signed his debut as The Folding and the point, inspired by the topographical adventures of Peter Handke’s “Slow Return”. The album Mandorle reached the national best of the year lists and is followed by an extensive tour that takes the band to create “brutal and extreme experiences” in festivals like Sónar or Villamanuela and in special places like the Laboral Church in Gijón or the Nave 16 in Matadero Madrid. In parallel, he collaborates with the contemporary dance company EN PROFUNDIDAD, tours with several bands at festivals such as Primavera Sound, BBK, FIB or South by Southwest, and is one of the first residents at the Red Bull Music Academy in Madrid.

He works for film, TV and advertising. He is the composer of the soundtracks for Rodrigo Sorogoyen’s thrillers Que Dios Nos Perdone, nominated for Best Soundtrack at the Feroz Awards, El reino, for which he won the Goya Award for Best Original Score and As Bestas, for which he won the Gota for Best Original Score 2023. He also composed the soundtrack for the TV series La Zona by Alberto and Jorge Sanchez-Cabezudo for Movistar+, the original music for Cerdita by Carlota Pereda, for the series Antidisturbios by Rodrigo Sorogoyen and Isabel Peña and for the series Apagón, also by Rodrigo Sorogoyen.




Iván Palomares de la Encina (Madrid, 1977) studied music at the Conservatorio Superior de Música de Madrid, specialising in Orchestral Conducting and Composition, completing his training in Belgium, Scotland, Germany and the United States.

He has developed his professional career in the field of concert music (as composer and conductor) and in that of composition for audiovisual media, participating in numerous projects for film, dance, theatre and television, both in Spain and abroad. In his career he has been recognised with more than twenty international awards and nominations for his works for film and concert, conducting and working with top orchestras and artists such as the OSRTVE, ROSS, OEX, Habemus Quartet, the Baroque Music Group “La Folía” or the Sexteto Barbieri, and in venues such as the Auditorio Nacional de Música de Madrid, Teatro Monumental de Madrid or the Warner Bros Studios in Los Angeles, California.

Passionate about multidisciplinary artistic projects, his scores have been awarded and recognised nationally and internationally, winning 2 nominations for the Goya Awards from the Spanish Film Academy, the Berlanga Award from the Valencian Audiovisual Academy, 3 MundoBSO Awards for Best Spanish Soundtrack, as well as other national and international awards and nominations such as Newcomer Composer by the International Film Music Critics Association (IFMCA). His latest works are the feature film “Las Niñas de Cristal” (Netflix Original), the series “La Templanza” (Amazon Prime Original), La Cocinera de Castamar (A3Media, Netflix) “La Desgracia de Ron Hopper” (Jaime Falero’s feature film) or the controversial documentary feature film “Palabras para un Fin del Mundo”.


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